{"id":181607,"date":"2019-12-07T09:04:55","date_gmt":"2019-12-07T09:04:55","guid":{"rendered":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/?p=181607"},"modified":"2019-12-07T09:04:57","modified_gmt":"2019-12-07T09:04:57","slug":"photographie-sanle-sory-loeil-de-lafrique-des-annees-60","status":"publish","type":"post","link":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/photographie-sanle-sory-loeil-de-lafrique-des-annees-60\/","title":{"rendered":"Photographie : Sanl\u00e9 Sory, l&rsquo;\u0153il de l&rsquo;Afrique des ann\u00e9es 60"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>De nombreux\npays africains ont obtenu leur ind\u00e9pendance en 1960. Sanl\u00e9 Sory a \u00e9t\u00e9 le t\u00e9moin\nprivil\u00e9gi\u00e9 de ce changement. Reconnu au nombre des plus m\u00e9ritants portraitistes\nafricains, Sanl\u00e9 &nbsp;est pourtant longtemps\nrest\u00e9 dans l&rsquo;ombre des c\u00e9l\u00e8bres photographes maliens, au m\u00eame titre que Seydou\nKe\u00efta ou Malick Sidib\u00e9. Depuis, il a gagn\u00e9 une notori\u00e9t\u00e9 internationale et est\nexpos\u00e9 dans les mus\u00e9es et galeries de Paris, Londres ou New York.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A ce jour, le photographe expose \u00e0 la A.Galerie de Paris o\u00f9 il pr\u00e9sente\nses clich\u00e9s qui ont su capturer un certain \u00e2ge d\u2019or de cette p\u00e9riode.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u00e9 en 1943 en R\u00e9publique de Haute-Volta (rebaptis\u00e9e Burkina Faso\nen 1984), Sanl\u00e9 Sory arrive \u00e0 Bobo-Dioulasso en 1957. Journaliste, illustrateur\nde pochettes de disques et photographe, il va sillonner le pays pendant des\nann\u00e9es, cherchant \u00e0 semer les graines de ce qui fera plus tard son succ\u00e8s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00ab&nbsp;Capter l&rsquo;euphorie des habitants, l&rsquo;effervescence de cette\nlibert\u00e9 nouvelle (l\u2019ind\u00e9pendance), est son fantasme. Il se rend dans les\nc\u00e9r\u00e9monies, les bapt\u00eames et les mariages, les soir\u00e9es dansantes, partout o\u00f9\ns&rsquo;exprime la joie et l&rsquo;exub\u00e9rance de la jeunesse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 1965, le photographe ouvre son propre studio o\u00f9 au d\u00e9part pour\ngagner sa vie, il fait des photos d&rsquo;identit\u00e9. Mais \u00ab\u00a0se faire tirer le\nportrait\u00a0\u00bb devient une obligation pour ces enthousiasm\u00e9s jeu africains\navides de modernit\u00e9. Sanl\u00e9 Sory va vite obtenir une certaine notori\u00e9t\u00e9 \u00e0\nBobo-Dioulasso, alors capitale culturelle et \u00e9conomiques de l\u2019ex Haute-Volta.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"415\" src=\"https:\/\/assets.afrikmag.com\/uploads\/2019\/12\/sanl\u00e9-1-1-1024x415.jpg\"  alt=\"Photographie : Sanl\u00e9 Sory, l&#039;\u0153il de l&#039;Afrique des ann\u00e9es 60\"  class=\"wp-image-181611\" srcset=\"https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/sanl\u00e9-1-1-1024x415.jpg 1024w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/sanl\u00e9-1-1-300x122.jpg 300w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/sanl\u00e9-1-1-600x243.jpg 600w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/sanl\u00e9-1-1.jpg 1198w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"415\" src=\"https:\/\/assets.afrikmag.com\/uploads\/2019\/12\/Sanle-3-1024x415.jpg\"  alt=\"Photographie : Sanl\u00e9 Sory, l&#039;\u0153il de l&#039;Afrique des ann\u00e9es 60\"  class=\"wp-image-181612\" srcset=\"https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-3-1024x415.jpg 1024w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-3-300x122.jpg 300w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-3-600x243.jpg 600w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-3.jpg 1198w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Le noir et blanc et le moyen format (6&#215;6) sont caract\u00e9ristiques des photographies africaines de cette \u00e9poque. Mais tr\u00e8s vite, Sanl\u00e9 Sory va personnaliser ses clich\u00e9s\u2026 Il ne va plus se contenter de photographier les visages, mais faire des photos gros plans, plain-pied. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il va peindre ses propres fonds, ajouter des accessoires (transistors, deux-roues, jouets, pot de fleur, disques, instruments \u2026) et cr\u00e9er ainsi une nouvelle marque iconographie enfouie dans les go\u00fbts de son \u00e9poque.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"415\" src=\"https:\/\/assets.afrikmag.com\/uploads\/2019\/12\/Sanle-5-1024x415.jpg\"  alt=\"Photographie : Sanl\u00e9 Sory, l&#039;\u0153il de l&#039;Afrique des ann\u00e9es 60\"  class=\"wp-image-181613\" srcset=\"https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-5-1024x415.jpg 1024w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-5-300x122.jpg 300w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-5-600x243.jpg 600w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-5.jpg 1198w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"415\" src=\"https:\/\/assets.afrikmag.com\/uploads\/2019\/12\/Sanle-7-1024x415.jpg\"  alt=\"Photographie : Sanl\u00e9 Sory, l&#039;\u0153il de l&#039;Afrique des ann\u00e9es 60\"  class=\"wp-image-181614\" srcset=\"https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-7-1024x415.jpg 1024w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-7-300x122.jpg 300w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-7-600x243.jpg 600w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-7.jpg 1198w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00ab\u00a0Je voulais que le studio refl\u00e8te l\u2019esprit de l\u2019\u00e9poque. C\u2019\u00e9taient (C\u2019\u00e9tait) les ann\u00e9es de l\u2019ind\u00e9pendance, la libert\u00e9, le bonheur et l\u2019optimisme r\u00e9gnaient \u00e0 Bobo-Dioulasso. (\u2026) Quand j\u2019ai ouvert le studio, je suis devenu tr\u00e8s proche de mes clients. Je faisais partie de la communaut\u00e9 et mon studio \u00e9tait une attraction populaire\u00a0\u00bb, raconte-t-il dans un entretien \u00e0 FranceInfo.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"780\" height=\"439\" src=\"https:\/\/assets.afrikmag.com\/uploads\/2019\/12\/Sanle-en-personne.jpg\"  alt=\"Photographie : Sanl\u00e9 Sory, l&#039;\u0153il de l&#039;Afrique des ann\u00e9es 60\"  class=\"wp-image-181617\" srcset=\"https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-en-personne.jpg 780w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-en-personne-300x169.jpg 300w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-en-personne-390x220.jpg 390w, https:\/\/www.afrikmag.com\/wp-content\/uploads\/2019\/12\/Sanle-en-personne-600x338.jpg 600w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> Sanl\u00e9 Sory&nbsp;s&rsquo;est ainsi saisit&nbsp;de l\u2019effervescence culturelle ces ann\u00e9es 60, l\u2019\u00e9poque au lendemain de  l\u2019ind\u00e9pendance. Il r\u00e9alise des milliers de portraits dans son studio  mais aussi dans des soir\u00e9es dansantes et s\u2019immerge dans la  musique.&nbsp;Instantan\u00e9s d&rsquo;un pays qui s\u2019appelait alors la Haute-Volta, son  travail&nbsp;livre aujourd&rsquo;hui le t\u00e9moignage&nbsp;de ce&nbsp;moment charni\u00e8re dans  l\u2019histoire du Burkina Faso et l\u2019\u00e9volution plus large du continent  africain vers l\u2019ind\u00e9pendance. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>De nombreux pays africains ont obtenu leur ind\u00e9pendance en 1960. Sanl\u00e9 Sory a \u00e9t\u00e9 le t\u00e9moin privil\u00e9gi\u00e9 de ce changement. Reconnu au nombre des plus m\u00e9ritants portraitistes africains, Sanl\u00e9 &nbsp;est pourtant longtemps rest\u00e9 dans l&rsquo;ombre des c\u00e9l\u00e8bres photographes maliens, au m\u00eame titre que Seydou Ke\u00efta ou Malick Sidib\u00e9. Depuis, il a gagn\u00e9 une notori\u00e9t\u00e9 internationale &hellip;<\/p>\n","protected":false},"author":101,"featured_media":181616,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[157793],"tags":[9483,158023,158022],"class_list":["post-181607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portrait","tag-independance","tag-phtographie","tag-sanle-sory"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Photographie : Sanl\u00e9 Sory, l&#039;\u0153il de l&#039;Afrique des ann\u00e9es 60<\/title>\n<meta name=\"description\" content=\"De nombreux pays africains ont obtenu leur ind\u00e9pendance en 1960. Sanl\u00e9 Sory a \u00e9t\u00e9 le t\u00e9moin privil\u00e9gi\u00e9 de ce changement. 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