{"id":180703,"date":"2019-11-30T23:27:10","date_gmt":"2019-11-30T23:27:10","guid":{"rendered":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/?p=180703"},"modified":"2019-12-02T10:44:14","modified_gmt":"2019-12-02T10:44:14","slug":"lactrice-tonto-dikeh-dit-que-ses-erreurs-ont-fait-delle-lhomme-quelle-est-aujourdhui","status":"publish","type":"post","link":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/lactrice-tonto-dikeh-dit-que-ses-erreurs-ont-fait-delle-lhomme-quelle-est-aujourdhui\/","title":{"rendered":"Pour Tonto Dikeh, ses erreurs ont fait d’elle la personne qu’elle est aujourd’hui"},"content":{"rendered":"\n

Cela semble \u00eatre devenu une mode sur les r\u00e9seaux sociaux, et en particulier chez les femmes, de se qualifier de rois plut\u00f4t que de reines ou d\u2019hommes plut\u00f4t que de femmes.<\/p>\n\n\n\n

L’une des c\u00e9l\u00e9brit\u00e9s de cette mode est l’actrice de Nollywood, Tonto Dikeh. L\u2019actrice a pris pour habitude de se faire appeler King Tonto et les fans semblent l’avoir accept\u00e9 comme tel.<\/p>\n\n\n\n

Dans une publication r\u00e9cente sur les m\u00e9dias sociaux, l’actrice a renforc\u00e9 son titre de roi en se d\u00e9crivant comme un homme. Tonto a post\u00e9 sur la toile un message dans lequel elle affirme \u00e0 quel point elle \u00e9tait reconnaissante pour ses erreurs pass\u00e9es et qu’elle n’en avait pas honte, car elles lui permettent de prouver qu’elle a essay\u00e9.<\/p>\n\n\n\n

Plus loin, Tonto ajoute que ses erreurs ont fait d’elle la personne qu’elle est aujourd’hui: \u00abJe suis reconnaissante pour toutes mes erreurs et mes \u00e9checs. Ils sont la preuve qui montre que j’ai essay\u00e9. J\u2019ai connu plus d\u2019\u00e9chec que de succ\u00e8s. C\u2019est le terrain d\u2019entra\u00eenement qui me pr\u00e9pare \u00e0 mon parcours. Je n’en ai plus peur. Au lieu de cela, cela me rapproche de l’objectif. Sans cela, je ne serais pas l\u2019HOMME que je suis aujourd\u2019hui. \u00ab\u00a0<\/p>\n\n\n\n

\"Pour<\/figure>\n","protected":false},"excerpt":{"rendered":"

Cela semble \u00eatre devenu une mode sur les r\u00e9seaux sociaux, et en particulier chez les femmes, de se qualifier de rois plut\u00f4t que de reines ou d\u2019hommes plut\u00f4t que de femmes. L’une des c\u00e9l\u00e9brit\u00e9s de cette mode est l’actrice de Nollywood, Tonto Dikeh. L\u2019actrice a pris pour habitude de se faire appeler King Tonto et …<\/p>\n","protected":false},"author":37,"featured_media":180708,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5300],"tags":[76,5849,1403,2368,887],"class_list":["post-180703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-people","tag-actrice","tag-erreurs","tag-hommes","tag-roi","tag-tonto-dikeh"],"yoast_head":"\nPour Tonto Dikeh, ses erreurs ont fait d'elle la personne qu'elle est aujourd'hui<\/title>\n<meta name=\"description\" content=\"L'actrice de Nplywood Tonto Dikeh a pris pour habitude de se faire appeler King Tonto et les fans semblent l'avoir accept\u00e9e comme telle.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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Je suis \u00e9galement grande passionn\u00e9e de multim\u00e9dia. feliciaessan@afrikmag.com","sameAs":["http:\/\/www.afrikmag.com","https:\/\/x.com\/https:\/\/twitter.com\/Felycutie"],"url":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/author\/felicia-essan\/"}]}},"_links":{"self":[{"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/posts\/180703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/comments?post=180703"}],"version-history":[{"count":0,"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/posts\/180703\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/media\/180708"}],"wp:attachment":[{"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/media?parent=180703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/categories?post=180703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afrikmag.com\/var\/www\/vhosts\/afrikmag.compublic_html\/wp-json\/wp\/v2\/tags?post=180703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}